Bringing Ragnarok: Book 2, is written!
I don't usually give myself, you know, 'kudos' or whatever. But I will state my pride in having written a 140,000 word book in 15 weeks. Although I had hoped to have the draft complete by September 30, the extra length took it two weeks into October. Still, that's not a bad weekly average, especially considering that there have been other life matters to attend to during these months, as 2018 is the year that just won't stop giving when it comes to major life-changing events.
Now, as I write in an earlier Developer Diary for Bringing Ragnarok, a completed draft does not equal a publishable book. I mean, yes, there are plenty of indie authors on Amazon who do appear to be comfortable with publishing a 1st-draft, and many appear to make a good living doing it. Story > grammar, in most cases - at least in the mind of the average reader on Amazon, if sales in a number of indie-friendly categories are any indication.
I'm too much of a perfectionist not to at least try to make each paragraph and sentence as good as it can be. There is a point where the perfect becomes the enemy of the good, as is said, and a person could go on editing indefinitely and never actually publish anything. In life, I try to remain mindful of tradeoffs - in an imperfect universe, these almost always exist. Doing something means not doing something else, because time and energy are scarce/limited. So it is important, I feel, to realize when something is 'good enough', that is, the flaws that remain - and you can find them in any work, even one you love - don't bug the majority of people who encounter them. In many cases, one person's marring flaw is another's shining star.
But for me, the 1st draft is just that: The 1st draft. I am fortunate in that about a decade of academic writing has given me the ability to pump out a decent bit of writing without intensive editing - blog posts like this, for example, I type out and skim once to correct obvious defects, then hit publish. The result is usually readable, and gets my points across, though often I go on and on and on and on and on without actually saying anything substantial. Tangents are a problem for me, always have been.
So back to the meat of the post: I have 140,000 words of fiction, taking the Six Friends further down their journey into the metaphysical war that ends in Ragnarok: the Apocalypse, Norse style, as I tag it in my Amazon ads. There's some pretty dark stuff in here, but also lighthearted bantering conversations and philosophical arguments about how Starcraft is actually a decent model for the essence of war and warfare, when you boil things down to the Vespene Gas of it all. The next stage of the project is the intensive surgery: While my 1st drafts usually get the basic plotline and sequence of events down, they usually lack (in my opinion) when it comes to dialog and parsimonious description. The latter being a 10-cent word that here essentially means: describe the hill, its vegetation, color, location, and immediate relevance. Do not go all Tolkien, and make the hill a character unto itself. Hills are interesting objects of study, to be sure, but most people are content to have characers simply move over the damn hill, and not discuss the entire history of its origins and occupants.
I mean, okay, I do in fact tend to to exactly this, and much of the point of the story is to write about history in a way that the actual people and events appear real, tangible, believable. To portray history from the perspective of people stuck in it, though unlike most of us they have/gain the ability to impact and even guide it. Because it wouldn't be much of a story if it were about people just, you know, farming a plot or something. As much as I enjoy Harvest Moon, I can't imagine writing a story about it, no matter how much I like to pull in aspects of litRPG into my tale.
Aside from this blurb, not much else to write about. I'm still on-track for a late December release of Bringing Ragnarok: Book 2 on Amazon, and hope to have pre-order set up. I'm also looking at getting Book 1 (and 2) set up for on-demand print distribution through Amazon, which is pretty easy and serves those who like a physical book to read (I'm one of them, in fact.). All with a mind towards sitting down from January - April and writing Book 3, which I'm very much looking forward to (a sign I've finally struck on the right career choice, methinks), especially because Books 1 and 2 (the first 'movement', in my symphonic way of thinking about plot structure) do so much to set the scene, and Books 3 and 4 will progress/go deeper in from there.
As for the rest of the world - meh. America's right-wing now has full control of all 3 branches of government, and has sold itself to a conman who seeks a racial nationalist state in place of the America we have. Democrats will likely retake the House this November, but not the Senate, so their resistance will remain ineffectual. And the current Oval Office occupant (not my President, never my President, as he has committed treason by threatening the peaceful transfer of power) continues to lay the foundation for a voter suppression + electoral college + supreme court effort to control D.C. for another 4 years... or more. Oh, and the IPCC has released a new report, pointing out the obvious fact that if the species doesn't get its act together, like, fifteen years ago, we're going to inhabit a very different planet in the very near future. To top it all off, the failure to fix the global financial system after 2008, coupled to these moronic trade wars, coupled to the US basically exiting the global international system it built, are fixing to throw a nasty recession in the near future.
In short, it remains a good time to be writing dystopian fiction. In my 2041, a limited Russia-US nuclear exchange has destroyed the Corn and Rust Belts, the USA has broken up into a whole set of successor states, and people are already abandoning vulnerable coastal areas in the Southeast, which nobody will insure anymore. I base this dystopic Post-American future on an extrapolation of current trends, as I see them, backed by a long study into the mechanics of human society and a theory I've developed, rooted in a merging of postmodern philosophy and systems theory, that I think explains why Western Civilization goes through cycles of collapse and destruction, some (like 1914-1945) rather destructive. And by 2147, after more than a century of rapid climate change, the solution Earth's 'experts' and 'technocrats' who end up running the planet decide, according to their ideological assumptions about why the world went the way it did, to the violent exile of 2/3 of humanity (the poorer two-thirds) to space 'habitats'.
After Bringing Ragnarok is done circa 2020, I hope to turn to writing something more positive, hopeful, space opera-y. A successor to the great sci-fi of the late 90s like Babylon 5, Stargate, and Star Trek. A story about people building a united galactic civilization in order to stave off a great Plague.
But for now, the times call for dystopian fiction. If politicians continue to prove themselves incapable of rising to the challenges posed by the great changes that are coming, then it will fall on regular folks to pick up the pieces and carry on.